The earliest dream I remember was a nightmare.
I was around three, in real life and in the dream. It was Christmas and I was in the den of the home where I grew up with my grandparents. The den was warmed by a Williams vent-free gas heater. It was a good warm–like you feel during Christmas–surrounded by family. I was playing with some toys on the circular rug. And then my grandfather entered from the living room. Black smoke coughed from his lungs. My grandmother went to help hold him, patting his back as more soot billowed from his lungs. The temperature rose in the den. I went to the door and peered into the living room. A wave of heat engulfed me and my fear shot up to 11. There was a low hum and I looked over to the twinkling Christmas tree where I saw a toy Volkswagen Beetle slowly rolling across the carpeted room spewing fire from its tailpipe!
Years later I found that when I overheat, I have nightmares. I now, always, as best I can, keep myself cool at night with the breeze of a fan. Even during winter. Because I'd rather dream than scream.
A few weeks ago I had the pleasure of sitting in at a rehearsal of Buran Theatre's next show Nightmares: a demonstration of the Sublime, which opens at The Brick tonight. After the success of their last Brick main-stage show, The House of Fitzcarraldo, I was happy to see what they were cooking up.
In 1816 Mt. Tambora erupted in Indonesia and helped global temperatures drop and bring about the "Year without a Summer." That summer a power group of romantics were trapped on a Swiss holiday and as a contest produced the stories of Frankenstein and The Vamprye, which predated Stoker's Dracula by 80 years. Now add in some Marx Brothers and you'll get a small taste of what the company is brewing at The Brick this new year. I'll let writer and co-director Adam Burnett clue you in a little better:
This video is from their Indiegogo campaign. After premiering at The Brick this January, they will take the show on the road to a series of theaters across the United States. Consider making a small donation if you can. And for a show about to tour, preparation is key. The cast and crew were very happy with their progress on re-crafting the script from previous workshops and presentations and "having keys" to The Brick helps too. From experience I know that making The Brick your "home" for a couple of weeks prior to opening helps keep those real nightmares away.
Nightmares: a demonstration of the Sublime opens January 2, 2012 and runs through January 12th. Tickets are on sale now at web.ovationtix.com/trs/cal/122 or bricktheater.com.
Written & co-directed by Adam R. Burnett and performed by Caitlin Bebb, Arla Berman, Brady Blevins, Adam R. Burnett, Sarah Graalman, Marlowe Holden, Jud Knudsen, Catrin Lloyd-Bollard, C.S. Luxem, Geraldo Mercado, and Curry Whitmire.
The creative team includes Theresa Buchheister (co-director/co-producer/co-choreographer), CS Luxem (composer), Nick Kostner (scenic designer), Geraldo Mercado (media designer), Ann Sitzman (lighting designer), and Lara Thomas Ducey (dramaturg)
Until next time...Happy Nü Year!